Wildlife photography is frustrating at the best of times. You might be looking away when an animal suddenly moves, the weather might not be playing ball, or a fly might be buzzing around your head and annoying you as your eye eches from looking through the view finder, waiting for that opportune moment to push the shutter button.
But the frustration is what results in the reward. When you nail the shot, you get a sense of elation akin to completing your first marathon or your favourite sports team winning!
Anticipation is a crucial element in wildlife photography, involving predicting and preparing for an animal’s next move or behaviour.. This skill requires understanding animal behaviour patterns, observing subtle cues, and setting your camera to be ready for those fleeting moments. By anticipating what an animal might do, you can be in the right place at the right time to capture that shot you dreamed of!
We understand that for first-time safari-goers, a familiarity with the animals might be lacking; this is why it is so important to bring your guide into the loop. Telling him or her about exactly what type of shot you have envisioned will go a long way towards helping them anticipate your needs, as well as the animals’ behaviour.
The more time you spend observing animals in their natural habitat, the better you’ll become at anticipating what they’ll do next.
We thought we’d run through a couple of images and describe what happened, and how we positioned – or at least got ready for – the shot.
Lion Crossing Water, Duba Plains, Botswana.
In this sighting, another lioness (the one in the photo’s sister), had killed a large warthog the day before, and the photographed individual was responding to her roars, as they were looking to reunite.
Knowing the direction the lioness would (most likely) take, we crossed a small channel and waited for her on the opposite side of the shallow section. Zooming out slightly to allow for her reflection, our hearts were in our mouths as she approached.
Fortunately, she crossed exactly where we had anticipated, and the above shot was the result.
Justy like in the lion photo, we zoomed out slightly to allow some space for the impala to fall into if it happened, and as the kill began to slip,, we were ready with our fingers on shutter buttons and high frame rates set.
The second cub below was unprepared for the kill almost dropping straight onto it!
Having seen how boisterous the young leopards were being, we had our ISOs cranked up high on our cameras to make sure we were getting high enough shutter speeds in the low light conditions (the sun was still low and the leopards were moving through shade).
Mother leopards will often prefer to lead their cubs through thicker vegetation so that they remain concealed; any gaps or roads to be crossed become like gold to a photographer in a sighting like that, as you have a brief few moments without vegetation in the way.
In this instance, with our camera settings already dialled in, we anticipated the spot where the mother leopard would reach the road with her cubs and waited there.
We were lucky as the continual games of pounce-and-chase from the young leoaprds reached a creescendo just as they got to the road, and the above photo was the result.
Hyena Dragging Impala, Londolozi Game Reserve, South Africa
After eating her fill, she picked up the remains and started to drag them down the road. We know there was a den not too far away, and we presumed she was going to take the meat back to her growing cubs.
It was still early morning and the light was not good, so we decided to roll the dice and capture a shot that emphasised the movement of the hyena. With low ISOs and slow shutter speeds ready, we parked next to the road ahead of where the hyena was dragging at pace, and as she passed us we panned with her, shooting continuously, and the above shot is the result. The slight blur in the background implies a sense of urgency in the hyena’s movement and tells a far better story than a simple freeze-frame.
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