Tag: lion

The Timbavati — The Quiet Side of Kruger

Posted on by James

Most people, when they think of a South African safari, think of the Sabi Sand. And fair enough — it’s extraordinary. But there’s a reserve sharing its western border with Kruger that has been quietly going about its business since 1956, with fewer lodges, lower vehicle density, and a backstory that the Sabi Sand simply can’t match.

The Timbavati Private Nature Reserve covers 53,000 hectares of wilderness in Limpopo, sitting unfenced along Kruger’s western boundary. That unfenced border matters. It means animals move freely — elephant, lion, leopard, wild dog — across a combined ecosystem of 400,000 hectares, with no wire to interrupt them and no artificial concentration of wildlife around a lodge waterhole. You find them where they are, which is how it should be.

The name comes from the Xitsonga language: “the place where something sacred came down to Earth from the Heavens.” It’s a dramatic name, but the Timbavati earned it. In 1975, a researcher named Chris McBride was leading a project in the reserve when something happened that had never been recorded before. A lioness gave birth to white cubs. Not albino — leucistic, with pigmented eyes and pawpads and a coat the colour of winter grass in pale light. The world took notice immediately, and not always for the right reasons.

McBride’s book, published in 1977, brought global attention. What followed was less triumphant. White lion cubs began disappearing — captured for zoos, hunting facilities, private collections. The gene carriers were selectively removed from the wild population. By the late 1990s, white lions were effectively extinct in their natural habitat — the very place they had evolved. It took decades of advocacy, led in large part by a documentary researcher named Linda Tucker who had her own remarkable encounter with white lions in 1991, to bring them back. Reintroduction efforts eventually succeeded. Cubs were born again in the Timbavati in 2006, 2008, 2009, and 2011. In 2018, three new white cubs were born to the Birmingham Pride within the reserve. And then, in early 2026, a three-month-old white cub was discovered in a den along the Zebenine Riverbed — the first white lion born in the Timbavati in over a decade. A literal one-in-a-million event, given the recessive gene must be carried by both parents to produce a white cub.

That’s the thing about the Timbavati. It carries its history in a way that very few wild places do.

But the white lions are only part of the story. The reserve is home to exceptional wild dog packs, prolific elephant herds, and the full complement of big cats — all experienced with a fraction of the vehicle pressure you’d encounter in some busier reserves. The landowners who formed the Timbavati Association in 1956 made a deliberate choice to limit the number of lodges operating in the reserve, and that decision has compounded in value ever since. There are only eighteen lodges across 53,000 hectares. The maths speaks for itself.


The lodges themselves — and we’ll profile three of the finest in this series — are not the famous names. They don’t need to be. Kings Camp, Tanda Tula and Makanyi have built their reputations quietly, through exceptional guiding and the kind of personal service that only comes from small, focused operations with something to prove.
This is not the loud, well-marketed side of the Greater Kruger. It is, by some distance, the better one.

An Arrangement With Elephants — Ruckomechi Camp, Zimbabwe

Posted on by James

There is a particular tree along the Zambezi’s floodplain — the apple-ring acacia, known locally as the albida — that drops its seed pods in the dry season at precisely the moment the rest of the bush has nothing left to offer. Elephants have understood this for longer than anyone has been keeping records, and they organise entire days around it. Ruckomechi Camp, tucked into a private concession on the western edge of Zimbabwe’s Mana Pools National Park, happens to have been built beneath a particularly fine grove of them. Which means, in practice, that the elephants come to camp. Not occasionally, and not as a curiosity laid on for the cameras. As a matter of routine, the way one might call in at a regular café.

It takes most guests a day or two to stop being startled by this. A bull will wander between the tents at midday, entirely unbothered, working through a low branch with the unhurried focus of someone who has done this ten thousand times before. The camp’s answer is not to intervene but to make room — chairs angled politely out of the way, conversations paused mid-sentence, nobody especially alarmed. Mana Pools is one of the very few places in Africa where this kind of proximity is considered not reckless but simply how the wildlife works here, on its own terms, with people permitted to watch from close enough to feel the air move.

The wider floodplain is where Ruckomechi properly reveals itself. Wide, flat, threaded with the kind of ana forest that gives Mana Pools its particular green-gold light, it draws an unusual concentration of predators through the dry season — lion, leopard, and increasingly, African wild dog, which have found a stronghold here that has become one of the most reliable in the region. Walking safaris move through this landscape at the pace it deserves, led by guides trained to read a floodplain the way a sailor reads weather, while canoe safaris drift down a stretch of the Zambezi so still in places that the only ripples are the ones you’ve made yourself.

What separates Mana Pools from the rest of the Zambezi valley is its UNESCO World Heritage status, granted not for grandeur but for the specific, irreplaceable ecology of this floodplain system — and Ruckomechi’s private concession plays an active part in protecting it, funding the anti-poaching patrols and research that keep the wild dog population recovering rather than retreating. None of this is advertised loudly. It simply happens, the way the elephants simply arrive, as part of an arrangement that long predates the camp and will presumably outlast it.

In the late afternoon, with the heat finally loosening its grip and the floodplain turning the colour of weak tea, it becomes easy to forget that any of this required explaining. The elephants are not performing for anyone. They were here first, and they have simply allowed the camp to stay.

Duba Plains – Turn the Wild Up a Notch

Posted on by James

Some parts of the Okavango Delta feel calm, almost meditative. Channels drift quietly, birds skim the surface, and elephants move through water with an ease that feels timeless. And then there is Duba Plains Camp, where the same water seems to sharpen everything instead.

Set deep within a private concession in the northern Delta, Duba Plains sits in a landscape defined by seasonal flood. When the waters arrive, they spread wide across the plains, transforming dry ground into a shifting mosaic of channels, islands and open space. It is beautiful, unquestionably — but it is also functional. Because where the flood goes, the buffalo follow.

And where there are buffalo, lions are never far behind.

Duba has become quietly known for this relationship. Not in a way that feels staged or predictable, but in the sense that the ecosystem itself leans toward drama. Large herds move across open ground, bunching, spreading, testing the edges of safety. Lions watch, wait, and then commit with a level of intensity that feels very different to more casual encounters elsewhere in Africa.

Game drives here carry a particular kind of focus. You are not simply looking for sightings; you are stepping into a story that is already unfolding. Tracks matter. Direction matters. Behaviour matters. Everything feels connected, as if each movement is part of a wider narrative that began long before you arrived.

And yet, for all its intensity, Duba Plains is still very much a water-based safari.

 

Between moments of action, the landscape settles back into something softer. Elephants cross channels with slow, deliberate confidence. Lechwe move through flooded grasslands, their hooves adapted perfectly to terrain that would challenge almost anything else. Reflections stretch across the water, turning movement into something almost abstract.

The camp itself mirrors this balance. Elevated, elegant, and quietly luxurious, it offers comfort without separation. Wide decks open onto the floodplain, allowing you to watch the landscape shift throughout the day. Interiors are refined but never overbearing, keeping the focus where it belongs — outside.

There is a rhythm here that feels heightened. Stillness builds into movement. Calm gives way to intensity, then settles again. It is a place where contrast defines the experience as much as continuity.

Duba Plains is not a passive safari. It asks you to pay attention, to read the bush, to stay present in moments that can change quickly and without warning.

And when everything aligns — water, movement, predator and prey — you are reminded that the Delta is not just beautiful.

It is alive in a way that feels immediate, unpredictable, and entirely real.

Sable Alley – Where Water Shapes the Story

Posted on by James

There are safari camps where you head out each morning with intent, following roads, tracks, and instinct in the hope that the bush reveals something memorable. And then there are places like Sable Alley, where the experience begins long before the vehicle ever leaves camp, and often continues long after it returns.

Set beside a permanent lagoon in Botswana’s Khwai Concession, Sable Alley sits in one of the most consistently productive pockets of the Okavango Delta. Water is the defining force here, and with it comes a steady, almost predictable flow of life that gathers at its edge throughout the day.

Elephants arrive in loose herds, easing themselves into the shallows with a sense of ownership that suggests they have done this countless times before. Red lechwe move differently, splashing and bounding through water that would slow almost anything else. And along the fringes, predators wait, watching the same patterns unfold, knowing that opportunity eventually follows movement.

Khwai itself is what gives Sable Alley its depth. It is not a single environment, but a convergence of several. Floodplains stretch outward into open light, woodland provides cover and contrast, and channels of water thread through it all, constantly reshaping how animals move and interact.

Game drives reflect this variety. One morning may be spent following a lion pride through damp earth, reading tracks and behaviour as a story in progress. Another may open onto wide plains filled with grazing herds, where scale and distance become part of the experience.

But it is often the stillness that defines the camp.

From the main deck and private rooms, the lagoon becomes a continuous source of quiet activity. Early light reveals silhouettes through mist, midday concentrates movement at the water’s edge, and late afternoon settles into long reflections and softer tones.

The design supports this without drawing attention to itself. Elevated walkways, open spaces, and clean lines ensure that nothing interrupts your connection to the landscape. Comfort is present, but it never competes with what lies beyond it.

Sable Alley is not about chasing sightings across distance. It is about proximity, patience, and the subtle shift that happens when the wild no longer feels separate from you.

And once that shift takes hold, the entire safari experience begins to feel more immediate, more immersive, and far more difficult to forget.

Perhaps that is what lingers most. Not a single sighting, but the accumulation of small, unscripted moments that build quietly over time. A glance, a sound, a shift in light. Together, they create something that feels less like a trip, and more like a lived experience.

Ngala Tented Camp: Where Silence Has a Shape

Posted on by James

Some camps arrive with a flourish. Ngala Tented Camp doesn’t need to. Tucked beneath a line of ancient river trees along the banks of the Timbavati, it feels less like a lodge and more like something the landscape has been guarding for years — revealed only when you’re ready to notice it.

Ngala has always existed in that sweet spot between wild and minimalist. Canvas suites open directly onto the riverbed, where the daily cast of elephants, nyalas, and the occasional leopard drift past with the nonchalance of residents who pay no attention to human check-in times. The tents themselves are masterclasses in understatement: soft palettes, clean lines, and textures that let the wilderness do most of the talking.

And that’s Ngala’s quiet superpower — it knows when not to speak.

This is a camp that rewards the unhurried. Early mornings begin with the soft groan of branches stretching in the cool air, followed by coffee strong enough to stand up on its own. On game drive, the Timbavati reveals its subtler layers: the flick of a white tail through the thickets, a fresh drag mark across the sand, the unmistakable rasp of a leopard calling from somewhere just beyond the bend. The guides here have a knack for making the bush feel like a story unfolding rather than a checklist being ticked.

Afternoons stretch out in that dreamy, in-between way the Lowveld specialises in. You can sit on your deck and watch the river exhale as the heat deepens, or laze in the pool listening to the wind rehearsing through the jackalberries. Here, even doing nothing feels purposeful.

Evenings are lantern-lit and low tempo. Dinner might be under the fever trees or beside the water’s edge, each setting a reminder that Ngala’s real gift is the way it frames simplicity as luxury. No theatrics, no noise — just a deep, resonant sense of place.

Where some lodges make you feel pampered, Ngala makes you feel restored. The kind of refreshed that comes not from being entertained, but from being allowed to simply exist in a landscape that’s been doing fine for millennia without interruptions.

Ngala Tented Camp is safari distilled — quiet, thoughtful, and all the more powerful because of it.

Londolozi Earns Three Michelin Keys: Where Connection Is the True Currency

Posted on by James

The Michelin Guide has spoken — and Londolozi has joined a rarified circle. In the inaugural list of global lodges recognised for excellence in hospitality, Londolozi has earned Three Michelin Keys, the highest possible rating.

For those unfamiliar, the new system is Michelin’s way of recognising the world’s most extraordinary places to stay — where design, service, character, value, and connection to place combine into something unforgettable. The restaurant world has long had its stars; now the lodging world has its keys. And in Londolozi’s case, the metaphor fits perfectly.

Because a stay here really is about unlocking something — not just a door to your suite, but a door into the wilderness itself. The luxury is evident, of course: the seamless service, the design that whispers rather than shouts, the food that would make even a Parisian inspector pause mid-bite. But it’s the connection that sets Londolozi apart. Connection to land, to community, to guests, and to a philosophy that’s been evolving for almost a century.

You feel it in the quiet professionalism of a tracker reading leopard spoor at dawn. You feel it in the stillness of the river at sunset, when the light folds over the granite outcrops and the bushveld seems to exhale. You feel it in the staff who’ve worked here for generations — living proof that hospitality, when done right, becomes heritage.

Michelin calls the Three-Key rating “an extraordinary stay.” But that hardly covers it. Londolozi doesn’t just offer extraordinary stays; it offers perspective. It reminds guests that luxury isn’t about what’s added, but what’s revealed when everything unnecessary falls away.

Earning Three Keys isn’t just a nod to Londolozi’s excellence — it’s an acknowledgment of its ethos: that true hospitality has always been about belonging. The kind that doesn’t just welcome you for a night, but stays with you long after you’ve left.

Know Thy Camera: Why Valuable Seconds Count in Wildlife Photography

Posted on by James

The difference between the greatest wildlife photographers and those just getting started isn’t actually that much, when it comes to actual time taken to snap a shot.
In terms of the number of seconds between spotting an opportunity, lifting one’s eye to the viewfinder, dialling in your settings an pushing the shutter button, the complete rookie might take just a few seconds longer – ten at the most – but the difference in image quality is – for the most part – utterly remarkable.

So how do the pros make those few seconds count so drastically in their favour?

The main thing to remember is that you’re dealing with wildlife. “Wild” being the operative word. With no control over an animal’s movements, when a moment passes it’s likely gone forever.
There are therefore two main factors at play here:

  1. Anticipation

  2. Dialling in your settings. Quickly.

Let’s talk about the first one briefly.

As obvious as it may sound, understanding wildlife behaviour is of primary importance in wildlife photography, for the simple reason that predicting what is likely to. happen next cand and often will set you up to both be in the right position for a shot and to have everything ready on your camera, from lens choice to settings.
Realising that a lion yawning in the soft evening light means that he will likely yawn again soon and then get moving will inform you as to what shutter speed, aperture and ISO you should be using.
Being new in the game however means you will be relying heavily on your safari guide for this information, so make sure you are asking questions and looking for prompts as to what is probably going to happen next, and you can switch to part2: Dialling in Your Settings.

Although some sort of base level ISO and shutter speed will be adequate for at least capturing a memory of a scene (which modern cameras can often do a decent job with on Auto mode), the more control you are taking when it comes to settings selection the better, as you will necessarily be able to increase image quality and start to look for the photos you want to capture in terms of your own interpretation of a scene.

Believe me, the few seconds it takes to bring your camera down, look for the button you want to be pressing, pressing it, scrolling through the menu for the desired setting then bringing the camera up again to eye level, composing the shot and then snapping it, will more often than not result in the scene you originally saw or envisioned having already changed, and you will find yourself behind the 8-ball.

This is where the pros have the upper-hand; they have spent so much time adjusting settings at speed, in the field, without removing their eye from the view-finder, that a 2-second tweak with the thumb and forefinger dials can completely change what mode and settings they’re shooting on, and have them fully prepared to nail the shot.
As with so many things in life that demand mastery, the muscle memory is what sets them apart here.

Don’t get disheartened though.

The good news in the early days of anyone’s wildlife photography journey is that although the learning curve is steep at first, but you can attain a decent level quickly:

Once you hit the plateau stage, it takes hours in the field and thousands of photos. to start seeing real change, but that initial period of increasing competence can very much be fast-tracked by just knowing your camera.

You shouldn’t have to be fiddling around trying to work out how to change the shutter speed when the leopard is about to launch up the tree. It should just happen.
Sun suddenly disappeared behind some dark clouds? Low light? Raise your ISO immediately! One push of a button, quick scroll, done.

Looking at the menu above, things might seem complicated, but trust me; a few basic concepts and you’re set.
Yes you will have to take time to come to terms with what’s what, but knowing how to change settings is what’s going to make the difference.

When in a photographic situation, a good guide might tell you something like “Make sure your aperture is wide open and your ISO is at about 1600. That should get you a decent shutter speed”. It’s then up to you to get those settings set up. As a sighting unfolds, he or she might be issuing updates on the fly; “Ok the sun’s gone down.. I’d double your ISO now. Use a beanbag to keep the camera steady. Make sure your shutter speed is at least 1/320”. Or something like that.

You don’t even have to be too comfortable with what all the terms mean or how they relate to each other; as long as you can respond to a verbal instruction from your guide, you’ll at least be able to get the shot.

Sitting for half an hour before you come on safari to make sure you know what each button on the camera does, how to access menus and which dials to spin for what result will go a long way towards relieving frustration when actually out in the field, believe us!

For those interested in private photographic tutelage on safari through a specialist photographic guide, get in touch with us through info@iconicafrica.com.

We know where the best photographic lodges are to be found, so if you are looking for any photographic advice pre-, during- or even post-safari, don’t hesitate to reach out.

Lemala Osonjoi: Ngorongoro Reimagined

Posted on by James

The Ngorongoro Conservation Area is one of Africa’s most iconic and unique wildlife havens. This extinct volcano crater in Tanzania boasts an incredible profusion of wildlife, with its ancient volcanic soils providing the nourishment that brings in the herbivores, which in turn attract the predators like lions, leopards and hyenas.
Some of the most densely-packed game viewing on the continent is to be found on the crater floor!

Scheduled to open in 2025, Lemala Osonjoi Lodge is the latest addition to the Lemala portfolio and being conveniently located close to the Lemala Gate of Ngorongoro, provides a more gradual access road with game viewing en route.

The eastern quadrant of the Crater sees fewer visitors than the west, especially first thing in the morning and last thing in the afternoon – those critical hours when game viewing is at its best.

Lemala Osonjoi stands to offer guests unparalleled access to the world’s largest intact volcanic caldera that is Ngorongoro.

Positioned just back from the crater rim, Lemala Osonjoi is ideally located for early morning and late afternoon game drives, allowing guests to enjoy the environment without the crowds. The quicker descent to the crater floor is perfect for early risers or photographers in search of ideal light conditions. In just 10 to 15 minutes, you can be in and amongst the abundant wildlife that roams here.
For those seeking adventure beyond game drives, guided nature walks along the crater rim and through the nearby forests are available, led by an expert ranger and a Maasai guide team who will share their deep knowledge of the land.

After a thrilling day on safari, return to the comforts of Lemala Osonjoi’s luxurious suites.
With twenty spacious accommodations, including two-bedroom suites ideal for families or groups, each room is designed to blend elegance with comfort.
Picture windows allow the highland light to flood into the suites, offering guests breathtaking views of the surrounding forests. In cooler evenings, cozy up by the wood stove, wrapped in a winter-weight duvet, or indulge in the warmth of hot water bottles.


En suite bathrooms feature double vanities, walk-in showers, and even outdoor bathing options, creating a spa-like experience in the wilderness. The lodge also boasts an indoor heated swimming pool and a dedicated spa suite where guests can unwind with treatments from expert therapists.

Osonjoi’s Best Points:

  • Its proximity to the quiet eastern access road to Ngorongoro means fewer crowds and better game viewing during peak wildlife hours. What’s more, one of the lodge’s most unique offerings is a full day catered safari lunch on the crater floor, a rare privilege in this protected area.
  • From the spacious, beautifully designed suites to the spa and heated pool, Osonjoi offers the perfect blend of wilderness and luxury.
  • Whether it’s the early morning game drives or the guided walks with Maasai guides, guests are guaranteed unforgettable encounters with Africa’s most iconic wildlife.

What Lens to Take on Safari?

Posted on by James

The old adage of “The best camera to have is the one you have with you” will always stand true on safari, and the same can be said for lenses.
Most scenes and/or sightings can be reimagined to make your lens work for you, from an 8mm fish-eye to an 800mm zoom.

Ok that might be stretching it a little, as a proper wide-angle won’t get you that nice close up of a bird from forty metres away, nor will you be able to encompass a whole pride of lions next to your vehicle in one photo with a mega-zoom, but if you do happen to find yourself seemingly limited by your lens choice, simply zoom out (figuratively), and start to imagine what’s in front of you in a new way.

The solution of course is simply to have a selection of lenses with you, and move between them as the situation dictates, but multiple lenses can start getting expensive and heavy, not to mention dust-filled if you are constantly switching them out. Multiple camera bodies take care of this latter problem, but again you start encountering extra weight and expense.

What we want to do here is give a brief run through of some of the most commonly used lenses on safari, what they’re good for, and which parts of Africa you should be sure to pack them for.

WIDE ANGLE

These lenses are essentially wider than 35mm. They can be fixed or zoom lenses. The 16-35mm range is a popular one.
Wide-angle are severely underrated in the safari world. The tendency for most safari-goers is to want to zoom in close. This can be great if you’re after detail, or trying to isolate a single subject, but just because you can zoom, doesn’t mean you should. More often than not, by zooming in too much you are excluding critical elements of the photographic story. Wide angle lenses allow you to capture an entire scene, not just one single element of it.
Landscapes, big herds of elephants, room interiors… these are a few things you might want a wide-angle for. Astrophotography is pretty much impossible without a wide-angle, and they can be very effective in exaggerating the scale of something (see the elephant photo below).

Wider is often better, and since these lenses are quite compact more often than not, they won’t take up too much room in your camera bag.

Best Destinations for Wide-Angle: Namibia, Cape Town

MEDIUM ZOOM

Between 50mm and 300mm is generally your sweet spot if yu want a lens to tick as many boxes as possible. Wide enough to capture a landscape is an animal is far enough away from you, but with enough zoom to really be able to isolate a subject if its proximity allows for it. The 70-200mm f2.8 lens is the mainstay of wildlife photographers around the world, and Canon, Nikon and Sony all make one.

The f2.8 aperture is wide enough to be able to carry on shooting in low light conditions (eg. dawn and dusk), and in areas where the wildlife is habituated to vehicles and can therefore come quite close, any more zoom just feels excessive.

Best Destinations for Medium Zoom: Sabi Sands, Lower Zambezi, Gorilla Trekking

FIXED TELEPHOTO

Starting from 300mm, things start to get interesting. Your zoom is starting to pack a real punch, and fixed zoom lenses generally allow for wider apertures, which ultimately means better low-light performance, higher shutter speeds and fewer missed shots. The 400mm f2.8 in particular is an incredible lens.
The image quality tends to be superb, but since the focal length is fixed, you can sometimes feel a bit constrained. This is when a bit of creativity can be necessary.

With 500mm, 600mm and 800mm you are dealing with seriously bulky lenses, They can take amazing photos – portraits of a lions face from a good distance, crisp shots of tiny birds that make them look larger than life – but the lack of mobility can be a hindrance. Some sort of support in the form of a bean bag or Wimberley arm is needed when shooting from a vehicle, or a tripod if you are on foot.

Best Destinations for Fixed Telephoto: Serengeti, Maasai Mara, any bird-focused photography trip.

There is no right or wrong in your lens selection.
Certain lenses might be the only way to capture specific images, but sightings need not be restricted to those specific images; it’s ultimately up to your imagination how you choose to represent a sighting.

Be sure to get in touch with us through info@iconicafrica.com if you need any sort of photographic advice for your African safari.

Mpala Jena: Zambezi Luxury

Posted on by James

When you combine the feel of a Mozambican beach side lodge with a classic safari camp, and throw in Africa’s mightiest waterfall just downstream, that’s Mpala Jena.

Part of the Great Plains portfolio, Mpala Jena is the epitome of Victoria Falls luxury accommodation and is an intimate safari lodge positioned along the beautiful tree-laden banks of the Zambezi River.

Zambezi National Park, in which the lodge is nestled, is little known, despite its proximity to the world famous Victoria Falls. Split off from the Victoria Falls National Park in 1979, the 56,000 hectares of pristine wilderness and wildlife habitat has been a National Park in its own right ever since.

It is home to a wide range of wildlife that can be enjoyed on safari drives, seen from the Zambezi River when on a boat cruise or the unique Dhow, walking trails or even while sipping cocktails from the camp’s swing chairs. Higher concentrations of buffalo and elephants are typical from June to October. There are more lions per km² here than in any other park in Zimbabwe.

In August 2025, two new, 3-bedroom Mpala Jena Private Villas will open. These two unique villas will be located five kilometres upstream from the current Mpala Jena.

the location of both camps allows easy access to Victoria Falls town by an exciting 40-minute boat or road transfer. Mpala Jena also offers guided tours of the Victoria Falls.

The sand floor in the main camp’s bar area and the adjacent swimming pool set the scene for guests to kick off their shoes and relax after their morning safari drive or river cruise. The pool lounge makes you feel that you are right on the river. Mpala Jena is highly sought after for those wanting the best Victoria Falls luxury accommodation.

Guests have a choice of three large double or twin bed configuration suites, plus two 2-bedroom family suites; are all under sand-coloured, flowing canvas, with canopy ceilings and open (yet netted) views of the river frontage.

Each suite has a shaded, private veranda area and en-suite bathroom facilities, including an indoor shower, separate loo, and double basins. The highlight of the suites is the outdoor bathrooms with a beautiful bathtub and outdoor shower. Decking in front of the tent leads to views of the Zambezi River’s calming and peaceful flowing waters.

Mpala Jena has a strong sustainability ethos. It is powered entirely by a solar plant and battery. Building materials and design elements were specified and sourced with a clear vision of minimising embodied energy and transportation miles.

Although there are plenty of fantastic accommodation options in and around Victoria Falls town itself, it can be nice to escape to somewhere a bit more sheltered, that moves at its own pace, away from the hustle closer to the falls.
The barefoot luxury of Mpala Jena ticks this box perfectly, where safari and rest combine into a magical sense of contentment.

 

 

Angama Amboseli: Elephant Heaven

Posted on by James

With Mount Kilimanjaro – Africa’s highest peak – serving as its backdrop, Angama Amboseli creates an intimate and laid-back atmosphere in the heart of Kenya’s first community-owned conservancy; Kimana. Set within a forest of fever trees, Angama boasts some of the best guides in the region, as well as exclusive traversing rights on this private reserve – where some of Africa’s last super tuskers roam; elephants with tusks so large they drag along the ground as they walk.
This is truly Africa at its most quintessentially majestic.

With only ten Guest Suites in this private wildlife conservancy, Angama Amboseli is truly a respite from the world, and Amboseli National Park is only a 45-minute drive from the lodge to the gate, and is home to over 400 bird species and an array of wildlife.

Another contemporary take on African design with nods to the giants of this landscape — including concrete mixed with elephant dung for the unique exterior texture — each of the ten Suites is a mix of canvas, concrete and stone accented by woven rattan and grass, all in earthy, neutral colours. Each suite is orientated so that Kilimanjaro can be seen from nearly every corner — from the bed to the shower — while floor-to-ceiling screened doors are all that lies between you and the mountain.

The main Guest Area offers flexible indoor-outdoor dining with a baraza to wind down the days by the fire, telling stories with a drink in hand or marshmallows for roasting. The nearby Studios house a Safari Shop, Games Room, Art Gallery, Weaving Studio and a Photographic Studio, perfect for capturing Amboseli’s iconic scenes.

Kimana Sanctuary is the first community conservancy established in Kenya, and is owned by 844 Maasai family members. Thanks to its perennial water availability (fed by the snows of Kilimanjaro itself), the Sanctuary boasts the greatest habitat diversity and wildlife density in the area, with scores of eland, reedbuck, warthogs in their hundreds, as well with giraffe, zebra and wildebeest. Big cats are also regularly encountered.

Elephants are the real stars here as large breeding herds move in procession through the Sanctuary. There’s also a good chance you’ll see one of the famed Super Tuskers — elephants whose tusks weigh more than 100lbs each. Some of the last remaining Tuskers in Africa love to feed on the lush vegetation around the lodge.

Derived from the Maasai word for ‘salty dust’, Amboseli National Park is just a 45-minute drive from the lodge which guests can enjoy as a half- or full-day excursion with a picnic lunch at a private Angama spot. This is one of the best places in Africa to see huge herds of elephants marching single file across dusty pans or having a bath in the dry lake beds. In the savanna and woodlands, you may spot lion or cheetah, while in the wetlands, hippo, flamingo and an array of other local wildlife can be encountered.

Wake up to the sun illuminating Kili and after an early breakfast, depart for a full-day safari in Amboseli National Park. As you leave, visit the ‘pinch point’ — the smallest segment of a critical wildlife corridor.  Spend the day exploring the Park’s famous marshlands and dry lake bed looking for Super Tuskers. After a picnic lunch at a private Angama site, return to the lodge in time for a visit to the Studios. Dinner is served on the private patio of your Guest Suite as the moon rises slowly over Kili.

Your Butler gently wakes you with coffee before first light to catch your sunrise hot-air balloon flight. Float along with Kili, admiring the views below before touching down for a champagne breakfast. A much-needed siesta and lunch are followed by an afternoon with our conservation partner, Big Life Foundation — visit HQ for control room and camera-trap monitoring or go out with ranger patrols and canine tracking units. Enjoy your final evening sharing stories over a delicious dinner in the Guest Area.

Access to this magnificent lodge is very straightforward; there are daily scheduled flights with Safarilink landing at Kimana Airfield in the Sanctuary, as well as Amboseli National Park, about a 1h drive. Private charters are always welcome at the Sanctuary’s airfield, whether to or from the Mara or Nairobi.

Get in touch with us through info@iconicafrica.com to find out more about this unique safari which combines Africa’s giants; it’s highest mountain and its largest inhabitants, the elephants.

 

 

3 Rules for Wildlife Photography Composition

Posted on by James

Wildlife photography can be tricky.
Animals are just that – wild – and don’t always do what you expect. Branches get in your way and if the light goes, it goes. No studio dimmer switch is going to change that.

But by simply sticking to a couple of composition principles you can make sure that at least most of your shots from your safari are usable, even if they aren’t award winning.

Here are three to bear in mind.

1. Rule of Thirds

The rule of thirds is an effective way to frame the elements in your scene so that the final image is more visually captivating. Like most other so-called “rules,” it’s not really a rule at all — more of a guideline.

But if you stick to it with wildlife, more often than not it will leave you with a photograph that’s mor pleasing to the eye.

Put very simply, you want your subject either moving or looking from one third of the photo into the remaining two thirds. If it’s looking left, place it on the right looking into the left hand two thirds of the picture. If it’s looking right, place it on the left, looking into the right hand two thirds.

Have a look at this elephant picture:

The elephant closer tot he camera (the subject) has its head (which is the main point of interest) roughly a third of the way into the frame, moving into the further two thirds. You always want an animal moving or looking into space, and not butting up against the edge of the frame. If we divide the image up into thirds using vertical lines, we get the following:

You can see how it’s not an exact science, but by using these approximate measurements, we get an image that tells more of a story.

The same proportions were used in the following image of a wild dog, but this time, both vertical and horizontal thirds were used:

The four points where the horizontal and vertical gridlines intersect are known as power points, and the more you can place the main subjec tof your image on one of these power points, the ro visually appealing it will be.

2. Central Framing With Symmetry

When an animal is looking straight at you, especially in close up/portrait, go for the central placement:

The rule of thirds doesn’t necessarily apply here as the straight-on image creates a connection and intensity.
Remember, these are guidelines, not rules. If we refer back to the wild dog image above, it’s also looking straight at the camera yet it was placed off to one side. This was mainly to compensate for the body being visible out to the right.

Because the lion in the above image has an even balance of mane on both sides, the symmetrical central framing works.

3. Use Foreground to Create Depth

Photography is ultimately about storytelling, and by simply having a foreground element in frame (which doesn’t have to be in focus), one can give far more context to an image.
Take a look at the following two photographs:

Both were taken to deliberately have people in frame in the foreground, which shows us that the animal/s is/are being viewed in a game drive setting.
There is far more story than a simple picture of two elephants or a leopard walking.

In wildlife photography as in many things, rules are there to be broken, but by keeping the above concepts in mind when on your next safari, we’ll be willing to bet that the percentage of your shots that you really like will be significantly higher.

Get in touch with us through info@iconicafrica.com for more photography tips and tricks…

Lion Sands Tinga: Private Kruger Park

Posted on by James

Lion Sands Tinga is nestled on the banks of the Sabie River,  one of the Kruger Park’s most iconic. The softly burbling water flows under enormous jackalberry and fig trees, and provides some of the most scenic game-viewing habitat imaginable. In winter when water resources are scarce, everything has to drink at the river, so a slow meander along the riparian roads will reveal a myriad of delights.

The lodge consists of nine suites as well as the exclusive two-bedroom Hinkwenu Residence.
Each room, blending vintage style with modern luxury, provides stunning views that make you feel as if the outside reserve is simply an extension of your living quarters, ensuring an intimate connection with Africa’s beauty.

The suites are joined by elevated wooden pathways that wind their way through the lodge, also connecting the spa and main lodge area, where a bar lounge, pool, and boma also feature. Here, you can share a delicious glass of some of South Africa’s finest wines, refelct on the day’s sightings, or simply relax in a quiet moment alone, with only the background ambience of the birds as your company.
The suites all feature their own private plunge pool and deck, providing a personal sanctuary where you can bathe in opulence, spend your time bird watching or check on the hippos in the river below.

The Lion Sands Game Reserve is essentially a combination between their Kruger National Park concession where Tinga is found, and their property in the world-famous Sabi Sands; one of the best places in the world to see leopards. Vehicles are allowed to traverse both sections, ensuring full access to the bast sightings.

Lion Sands Tinga Lodge has tailor-made experiences for children aged 6 to 11, so the lodge ensures that every member of the family has the freedom to explore and have fun.
A dedicated playroom, coordinated by a qualified activity leader, offers a range of engaging activities from sports and crafts to baking sessions with the chef. Family game drives, bush orientation, dung tracking, spoor casting, and nature scavenger hunts are just a few of the adventures that families can enjoy together, making every day a new discovery.

 

Safari experiences are of course the central reason why people visit, and Lion Sands boasts some of the best. Game drives depart the lodge at dawn and then again in mid-afternoon, facilitated by experienced field guides. These drives aim to capture the essence of an African safari as you go in search of the Big Five. Feel how your senses swiftly become attuned to the slightest rustle in the bush. Walking safaris are another great way to explore the landscape; most are conducted after breakfast, as you set out on foot to enjoy a true bush immersion, with your guide and tracker interpreting event eh faintest signs for you.

If it’s more of a relaxation or a spiritual experience that you are after, the our spa provides treatments featuring Africology products, ethically sourced and inspired by traditional African healing practices.
Additionally, for those dreaming of sleeping under the star-laden African sky, Lion Sands offers optional treehouse sleep-outs, which provide an unforgettable night surrounded by the sounds of the wild (activity is at an additional cost).

 

Between 4 January and 19 December 2025 & 2026, Lion Sands is offering incredible specials.

Pay for 3, Stay for 4, as well as a 50% rate for Honeymooners.

If you are after amazing game viewing, superb opulence and some of the most scenic terrain in the whole of the Kruger National Park, Lion Sands Tinga might be just what you’re looking for.

Get in touch through info@iconicafrica.com to find out more…

 

Mara Plains: Big Cat Heaven

Posted on by James

SPECIAL OFFER

Enjoy some extra time at Mara Plains Camp free of charge! You will get one night for free when booking a three night safari at Mara Plains. This special offer is applicable for new bookings for arrivals between 11 January and 14 June 2025, and between 1 November and 19 December 2025. This special offer may not be combined with any other special offers.

Mara Plains Camp is a one-of-a-kind luxury Kenya safari camp. Located in the private 13,300-hectare Olare Motorogi Conservancy, just on the Maasai Mara National Reserve’s northern boundary, you are immersed in one of the most iconic wildlife destinations on the planet.

The community-owned conservancies set a new standard for game viewing on the world-famous East African grasslands. Vehicle regulations mean far more intimate sightings, and you are not surrounded by throngs of day visitors as you might be in other parts of the ecosystem. This part of the world offers some of the best big cat viewing we have ever experienced.

Mara Plains Camp is ideal for those seeking a luxury Kenya safari, as this intimate Great Plains Conservation Réserve-Collection safari camp offers you the finest in wildlife viewing paired with the absolute best in safari hospitality and wildlife guiding.

The Olare Motorogi Conservancy hugs the northern border of the Masai Mara National Reserve and is known for its high concentration of wildlife and for the fact it only allows five safari camps to operate within its borders. Mara Pains camp lies hidden among the lush green forested banks of the Ntiakitiak River. This tiny camp in the wild is unforgettably luxurious and inviting. It allows its guests to get remarkably close to nature without sacrificing comfort.

Staying at one of the Masai Mara conservancies has countless benefits, not just to you the safari traveller… but also to the local Maasai community, the lands and local wildlife. The arrival of each safari travel, which is limited to a small number at any given time, contributes to programs benefiting the Maasai people. It also contributes to the conservation of the area and to the employment of Maasai staff, guides and trackers. By staying at Mara Plains Camp you are in fact helping to better the lives of the Maasai who have lived on these lands for generations and contributing to the conservation of the lands and the wildlife roaming them.

Mara Plains Camp is a member of Great Plain Conservation. This initiative is dedicated to protecting endangered species and supports Kenyan initiatives such as the Maasai Olympics. Great Plains Conservation also supports conservation education by investing in kids’ camps and supports local female-owned businesses through sale of their handiwork in the camp’s bush boutique. The conservation program has also planted more than 2000 trees in the Masai Mara. This was done in an effort to help regenerate the ecosystem and bring back indigenous trees to the Mara Landscape

As you near the camp you will see the first safari tents appear amidst a thick forest along the Ntiakitiak Riverbend. After crossing a bridge across the river and climbing a few broad steps, you’ll look out over an endless horizon speckled by flat-topped acacia. The camp’s décor and design pay homage to the look and feel of Eastern Africa. A touch of Swahili heritage can be found in the lodge’s large wooden doors originally from the island of Lamu. There are also occasional splashes of red in the décor which are reminiscent of the great Maasai chiefs and warriors. The rich leathers, brass and copper used in the campaign-style furniture give the camp a very lavish, yet warm and comfortable atmosphere. During your stay you’ll be treated to delicious home-cooked cuisine, lovely fine wines and tasty cocktails. The camp is made up of a total of seven safari tents and can accommodate a maximum of up to fourteen guests at any given time.

Each of the seven traditional safari-style tents are raised on decks and feature marquis ceilings. Their muted tones make them blend into the countryside beautifully and each tent enjoys sweeping views of the savanna in the distance. The safari tents feature a comfortable king-sized bed or two twin beds, a sitting area, rough hewn wood floors, thick Lamu wood doors, en-suite bathrooms with lovely deep copper freestanding tubs and walk-in showers, a writing desk, safe and complimentary WiFi. You will also find one pair of Swarovski HD binoculars and a professional Canon camera body and lens kit for complimentary use. Families with children 6 years and older are also welcome at the camp and are welcome in the designated family suite. These tented suites feature two bedrooms, one with a king-sized bed and the other with a twin bed. The family suites have a common lounge area and a private verandah overlooking the savannah.

 

Activities at Mara Plains Camp

Mara Plains Camp has a very comprehensive set of activities for you to choose from during your stay. For starters, every safari drive (during prime sunrise and sunset hours) or bush walk will be a memorable one thanks to the camp’s professional Maasai guides that will be there to accompany you. The camp will also offer you the opportunity to enjoy lovely gourmet bush breakfasts or lunch in a scenic location in the wild to make your day extra special. Thanks to the wide variety of bird species in the area (over 300!), you’ll also have plenty of opportunity for birdwatching either during a bush walk or while relaxing at camp. Another great way to relax when back at camp is to enjoy one of the camp spa’s relaxing massages. To get a taste of local culture and traditions you’ll have an opportunity to meet the Maasai during a visit to a local manyatta (Maasai village). For a very high-flying safari adventure you can also choose to go on a hot-air balloon safari flight at an extra cost.

 

Mara Plains Camp stay 4 pay 3 special offer

 

 

How to Get the Shot in Wildlife Photography

Posted on by James

Wildlife photography is frustrating at the best of times. You might be looking away when an animal suddenly moves, the weather might not be playing ball, or a fly might be buzzing around your head and annoying you as your eye eches from looking through the view finder, waiting for that opportune moment to push the shutter button.
But the frustration is what results in the reward. When you nail the shot, you get a sense of elation akin to completing your first marathon or your favourite sports team winning!

Anticipation is a crucial element in wildlife photography, involving predicting and preparing for an animal’s next move or behaviour.. This skill requires understanding animal behaviour patterns, observing subtle cues, and setting your camera to be ready for those fleeting moments. By anticipating what an animal might do, you can be in the right place at the right time to capture that shot you dreamed of!

We understand that for first-time safari-goers, a familiarity with the animals might be lacking; this is why it is so important to bring your guide into the loop. Telling him or her about exactly what type of shot you have envisioned will go a long way towards helping them anticipate your needs, as well as the animals’ behaviour.

 

The more time you spend observing animals in their natural habitat, the better you’ll become at anticipating what they’ll do next.

We thought we’d run through a couple of images and describe what happened, and how we positioned – or at least got ready for – the shot.

Lion Crossing Water, Duba Plains, Botswana.

Duba Plains is right up north in the Okavango Delta, and as such has quite a bit of water year-round. The lions there are adapted to criss-crossing the various channels, particularly in the months of the annual inundation. They know the shallowest crossing points well, and fortunately these often coincide with the best vehicle crossing spots.
In this sighting, another lioness (the one in the photo’s sister), had killed a large warthog the day before, and the photographed individual was responding to her roars, as they were looking to reunite.
Knowing the direction the lioness would (most likely) take, we crossed a small channel and waited for her on the opposite side of the shallow section. Zooming out slightly to allow for her reflection, our hearts were in our mouths as she approached.
Fortunately, she crossed exactly where we had anticipated, and the above shot was the result.
Falling Impala, Londolozi Game Reserve, South Africa
A female leopard had killed and hoisted a young impala, and led her two cubs back to it early one morning. A large part of a young leopard’s learning is in pretending to kill an animal its mother has already brought down, and when one of the cubs began roughly moving the impala carcass in the fork of the tree, we anticipated her dropping it and it falling to the ground>
Justy like in the lion photo, we zoomed out slightly to allow some space for the impala to fall into if it happened, and as the kill began to slip,, we were ready with our fingers on shutter buttons and high frame rates set.
The second cub below was unprepared for the kill almost dropping straight onto it!

Leopard Cubs Playing, Londolozi Game Reserve, South Africa

This was actually from the same sighting as the falling impala above, but from when the mother was leading her cubs to the kill.
Having seen how boisterous the young leopards were being, we had our ISOs cranked up high on our cameras to make sure we were getting high enough shutter speeds in the low light conditions (the sun was still low and the leopards were moving through shade).
Mother leopards will often prefer to lead their cubs through thicker vegetation so that they remain concealed; any gaps or roads to be crossed become like gold to a photographer in a sighting like that, as you have a brief few moments without vegetation in the way.
In this instance, with our camera settings already dialled in, we anticipated the spot where the mother leopard would reach the road with her cubs and waited there.
We were lucky as the continual games of pounce-and-chase from the young leoaprds reached a creescendo just as they got to the road, and the above photo was the result.

Hyena Dragging Impala, Londolozi Game Reserve, South Africa

During the rut, impala males will lock horns, sometimes fighting to the death, and their battles are often to the complete exclusion of any kind of self-preservation. Lowered awareness and a complete focus on the fight at hand makes them vulnerable, and this female hyena had brought down this rutting male impala, devouring half of it with a clan-mate.

After eating her fill, she picked up the remains and started to drag them down the road. We know there was a den not too far away, and we presumed she was going to take the meat back to her growing cubs.
It was still early morning and the light was not good, so we decided to roll the dice and capture a shot that emphasised the movement of the hyena. With low ISOs and slow shutter speeds ready, we parked next to the road ahead of where the hyena was dragging at pace, and as she passed us we panned with her, shooting continuously, and the above shot is the result. The slight blur in the background implies a sense of urgency in the hyena’s movement and tells a far better story than a simple freeze-frame.

If wildlife hobby is your passion or something you’d like to get into, feel free to get hold of us through info@iconicafrica.com with any questions you might have.

If you have any requests for subjects of future photographic posts, let us know!