Tag: wildlife photography

What Would It Take for a Safari Lodge to Earn a Michelin Key?

Posted on by James

Until now, Michelin has mostly told us where to eat, not where to sleep. But that’s changing. The famed guide has unfurled a new rating system for hotels and lodges — the Michelin Key — a sibling to the coveted Michelin Star, and a new yardstick for excellence in stays.

It’s an intriguing idea for the safari world, where barefoot luxury and wilderness don’t always fit neatly into the same tick-box criteria. How do you score a night filled with lion calls against a night filled with thread counts?

Michelin’s inspectors look for five things: architecture and design, consistency of service, personality, value for money, and connection to place. It’s that last one that feels most relevant to safari lodges. Connection to place is the heartbeat of the experience — the sense that the land, the wildlife, and the people aren’t just backdrops, but protagonists in the story.

By those standards, Africa already has its share of Michelin-worthy contenders. The design brilliance of Singita Sabora, the restraint and intimacy of Mara Nyika, the wild purity of Busanga Plains, and the playful luxury of Ulusaba all whisper the same thing: this is excellence defined by soul, not excess.

Of course, no one’s likely to find an inspector with a clipboard crouched beside a termite mound anytime soon. The Michelin Key isn’t just about imported standards — it’s about recognising that the best stays, like the best meals, create something intangible. A mood. A memory. A moment that lingers.

So, what would it take for a safari lodge to earn a Michelin Key? Probably the same things that make the bush unforgettable in the first place: an architecture that listens to its surroundings, service that anticipates without intruding, and a sense of belonging so strong it feels as though the land itself has checked you in.

If that’s the benchmark, Africa’s already set the table. Michelin just needs to find a way to reach it.

Tswalu Kalahari: The Luxury of Isolation

Posted on by James

There’s a point somewhere between Upington and eternity where the Kalahari opens up and you start to feel very small. That’s usually the moment you realise you’re getting close to Tswalu.

South Africa’s largest privately protected reserve has never really played by anyone else’s rules. While other lodges might measure their worth in thread count or wine lists, Tswalu deals in something far rarer — space. Here, luxury isn’t about what’s added, but what’s absent: crowds, noise, clutter, deadlines. The silence is a currency all its own.

The new Loapi Camp, Tswalu’s most recent addition, continues this philosophy of elegant restraint — a collection of glass-fronted safari homes scattered like mirages across the dunes. Everything is deliberate yet unforced: natural materials, clean lines, textures that echo the desert itself. It’s architecture designed to defer to the landscape, not dominate it.

But what sets Tswalu apart isn’t just the design — it’s the depth of experience. Tracking pangolins under starlight with researchers. Following a coalition of cheetahs through the ochre grass. Sharing a breakfast of Kalahari truffles and poached eggs while the horizon hums with heat. The encounters here feel less like safaris and more like quiet collaborations with the wild.

Condé Nast’s readers regularly place Tswalu among Africa’s finest, yet its real brilliance is how little it seems to care about that. This is a place that hums to its own frequency — one of patience, purpose, and deep respect.

In a year when Michelin Keys and global accolades are reshaping how we define excellence, Tswalu stands as a gentle reminder: true luxury isn’t found in perfection, but in perspective. It’s the feeling of being utterly alone, yet completely connected — to the land, to the moment, to something far older than both.

Busanga Plains: Where Luxury Tiptoes Into the Wild

Posted on by James

If Singita Sabora feels like theatre, Busanga Plains is closer to unscripted documentary — no retakes, no stage lighting, just the raw pulse of the African wilderness.

Deep in Zambia’s Kafue National Park, the camp sits in the middle of a seasonally flooded grassland so vast it makes the horizon feel like a rumour. For much of the year, these plains are inaccessible. When the waters retreat, they reveal one of Africa’s most dramatic safari arenas: red lechwe bounding through the shallows, herds of puku grazing in golden light, and lions that have learned to hunt where most cats would hesitate to get their paws wet.

Busanga Plains Camp itself doesn’t try to outshine the setting. It couldn’t, and it doesn’t need to. The lodge is deliberately small, with just a handful of tented suites raised on wooden decks. You’ll find comfortable beds, hot showers, and lantern-lit dinners — but don’t expect chandeliers or wine cellars. Here, the luxury is space. Silence. The sense that you’ve stumbled into Africa before the world got crowded.

Game drives roll out across the plains like expeditions. Some mornings are about elephants and buffalo drifting through the mist. Others deliver the famous Busanga lion prides, often lounging on termite mounds like they own the place (which they do). If you’re lucky, you might spot a cheetah carving a line through the long grass, or watch crowned cranes rising in a flurry of wings as the sun sets.

Evenings back at camp are their own reward. Sitting by the fire, the vastness pressing in from all sides, you become acutely aware of just how remote you are. No highway hum, no faint glow of a distant town. Just stars — millions of them — and the steady chorus of the marsh.

Busanga isn’t safari with trimmings; it’s safari distilled. It’s for travellers who crave the edge of adventure but still appreciate a crisp linen sheet at the end of the day. The kind of place that makes you feel small, in the best possible way.

Mara Nyika: a Camp That Whispers Rather Than Shouts

Posted on by James

Some lodges announce themselves before you’ve even unzipped your bag. Brass fittings, oversized chandeliers, the kind of bath you could launch a canoe in. Mara Nyika is not one of those lodges.

Perched lightly among the flat-topped acacias of the Naboisho Conservancy, Nyika doesn’t so much dominate the landscape as blend into it, like a well-worn canvas jacket. You could walk past its guest tents without even realising you were skirting one of Kenya’s most refined safari outposts. And that’s very much the point.

Naboisho itself is part of the magic: a vast conservancy bordering the Maasai Mara National Reserve, but with far fewer vehicles, more privacy, and a fierce dedication to conservation. Lions patrol the savanna here with the same swagger you’ll see inside the Reserve proper, while cheetahs, giraffes, and elephants all make daily cameos. The difference is that you’re unlikely to be sharing the sighting with a convoy of Land Cruisers.

Mara Nyika leans into this ethos of understatement. The camp’s design is all flowing canvas, polished wood, and gentle curves that feel more like an extension of the trees than an intrusion. Step inside your suite and you’ll find the kind of detail that makes luxury feel effortless: a desk positioned to catch the morning light, copper accents that glow at dusk, a bathtub with a view that doesn’t require explanation.

But perhaps the greatest luxury is what you don’t see. No rush, no crowds, no clutter. Just space — for animals to roam, and for you to think, breathe, and reset. Evenings here are less about theatrical fanfare and more about quiet conversations around the fire, punctuated by a distant hyena call or the shuffle of elephant feet through the grass.

For those who like their safaris with a little narrative arc, Nyika also serves as a gateway. It connects seamlessly with Great Plains’ other Mara properties, so you can trace your own journey across the ecosystem, following the migration if the timing’s right.

Still, you may find yourself reluctant to move on. Mara Nyika is one of those rare places where the definition of luxury isn’t excess, but restraint. Where the whisper carries further than the shout.

 

Singita Sabora: Serengeti Theatre

Posted on by James

Some places you check into. Others, you quite literally arrive. Singita Sabora is firmly in the latter camp. It doesn’t just sit in the Serengeti; it unfurls across it, like a lavish set design waiting for the curtain to rise.

Set in the private Grumeti Reserve, Sabora has all the cinematic grandeur you’d expect from Singita, but with a modern twist. Think sweeping canvas tents — though “tent” feels like a disservice when your suite has Persian rugs, curated antiques, and a four-poster bed that could comfortably accommodate a small wildebeest herd. Out front, the Serengeti plains stretch until they dissolve into a mirage. At night, the soundtrack is equal parts hyena cackles and the fizz of your G&T.

Where Sabora really excels is in its balance of indulgence and immersion. One minute you’re lounging in a leather campaign chair, thumbing through a design book you didn’t know you needed in your life. The next, you’re out on game drive, watching a cheetah test the limits of physics as it streaks across the golden grass. The lodge sits right on the migratory route, so if you time it right, you can sip your morning coffee as a column of wildebeest trundles by — a reminder that in this theatre, the extras number in the thousands.

Meals here are another performance. Candlelit dinners on the deck blur into starlit skies. The menu is a masterclass in contradiction: refined yet rooted, locally inspired yet globally polished. Even the wine cellar, improbably stocked with South Africa’s finest vintages, feels like a nod to the fact that luxury in the bush isn’t just about where you are, but how well you’re looked after while you’re there.

And yet, amidst all the design flourishes and high-thread-count whispers, Sabora manages not to lose its sense of place. Step outside your suite and you’re reminded quickly that this is still big wilderness. Giraffes drift like apparitions between acacias, lions call at dusk, and the Serengeti light — that ever-changing, golden wash — steals the show at every hour.

Sabora is proof that you can have it both ways: the romance of classic safari and the thrill of contemporary design. Here, the Serengeti isn’t just a backdrop. It’s the main character, and you, for a few days, are written into the script.

Know Thy Camera: Why Valuable Seconds Count in Wildlife Photography

Posted on by James

The difference between the greatest wildlife photographers and those just getting started isn’t actually that much, when it comes to actual time taken to snap a shot.
In terms of the number of seconds between spotting an opportunity, lifting one’s eye to the viewfinder, dialling in your settings an pushing the shutter button, the complete rookie might take just a few seconds longer – ten at the most – but the difference in image quality is – for the most part – utterly remarkable.

So how do the pros make those few seconds count so drastically in their favour?

The main thing to remember is that you’re dealing with wildlife. “Wild” being the operative word. With no control over an animal’s movements, when a moment passes it’s likely gone forever.
There are therefore two main factors at play here:

  1. Anticipation

  2. Dialling in your settings. Quickly.

Let’s talk about the first one briefly.

As obvious as it may sound, understanding wildlife behaviour is of primary importance in wildlife photography, for the simple reason that predicting what is likely to. happen next cand and often will set you up to both be in the right position for a shot and to have everything ready on your camera, from lens choice to settings.
Realising that a lion yawning in the soft evening light means that he will likely yawn again soon and then get moving will inform you as to what shutter speed, aperture and ISO you should be using.
Being new in the game however means you will be relying heavily on your safari guide for this information, so make sure you are asking questions and looking for prompts as to what is probably going to happen next, and you can switch to part2: Dialling in Your Settings.

Although some sort of base level ISO and shutter speed will be adequate for at least capturing a memory of a scene (which modern cameras can often do a decent job with on Auto mode), the more control you are taking when it comes to settings selection the better, as you will necessarily be able to increase image quality and start to look for the photos you want to capture in terms of your own interpretation of a scene.

Believe me, the few seconds it takes to bring your camera down, look for the button you want to be pressing, pressing it, scrolling through the menu for the desired setting then bringing the camera up again to eye level, composing the shot and then snapping it, will more often than not result in the scene you originally saw or envisioned having already changed, and you will find yourself behind the 8-ball.

This is where the pros have the upper-hand; they have spent so much time adjusting settings at speed, in the field, without removing their eye from the view-finder, that a 2-second tweak with the thumb and forefinger dials can completely change what mode and settings they’re shooting on, and have them fully prepared to nail the shot.
As with so many things in life that demand mastery, the muscle memory is what sets them apart here.

Don’t get disheartened though.

The good news in the early days of anyone’s wildlife photography journey is that although the learning curve is steep at first, but you can attain a decent level quickly:

Once you hit the plateau stage, it takes hours in the field and thousands of photos. to start seeing real change, but that initial period of increasing competence can very much be fast-tracked by just knowing your camera.

You shouldn’t have to be fiddling around trying to work out how to change the shutter speed when the leopard is about to launch up the tree. It should just happen.
Sun suddenly disappeared behind some dark clouds? Low light? Raise your ISO immediately! One push of a button, quick scroll, done.

Looking at the menu above, things might seem complicated, but trust me; a few basic concepts and you’re set.
Yes you will have to take time to come to terms with what’s what, but knowing how to change settings is what’s going to make the difference.

When in a photographic situation, a good guide might tell you something like “Make sure your aperture is wide open and your ISO is at about 1600. That should get you a decent shutter speed”. It’s then up to you to get those settings set up. As a sighting unfolds, he or she might be issuing updates on the fly; “Ok the sun’s gone down.. I’d double your ISO now. Use a beanbag to keep the camera steady. Make sure your shutter speed is at least 1/320”. Or something like that.

You don’t even have to be too comfortable with what all the terms mean or how they relate to each other; as long as you can respond to a verbal instruction from your guide, you’ll at least be able to get the shot.

Sitting for half an hour before you come on safari to make sure you know what each button on the camera does, how to access menus and which dials to spin for what result will go a long way towards relieving frustration when actually out in the field, believe us!

For those interested in private photographic tutelage on safari through a specialist photographic guide, get in touch with us through info@iconicafrica.com.

We know where the best photographic lodges are to be found, so if you are looking for any photographic advice pre-, during- or even post-safari, don’t hesitate to reach out.

Lemala Osonjoi: Ngorongoro Reimagined

Posted on by James

The Ngorongoro Conservation Area is one of Africa’s most iconic and unique wildlife havens. This extinct volcano crater in Tanzania boasts an incredible profusion of wildlife, with its ancient volcanic soils providing the nourishment that brings in the herbivores, which in turn attract the predators like lions, leopards and hyenas.
Some of the most densely-packed game viewing on the continent is to be found on the crater floor!

Scheduled to open in 2025, Lemala Osonjoi Lodge is the latest addition to the Lemala portfolio and being conveniently located close to the Lemala Gate of Ngorongoro, provides a more gradual access road with game viewing en route.

The eastern quadrant of the Crater sees fewer visitors than the west, especially first thing in the morning and last thing in the afternoon – those critical hours when game viewing is at its best.

Lemala Osonjoi stands to offer guests unparalleled access to the world’s largest intact volcanic caldera that is Ngorongoro.

Positioned just back from the crater rim, Lemala Osonjoi is ideally located for early morning and late afternoon game drives, allowing guests to enjoy the environment without the crowds. The quicker descent to the crater floor is perfect for early risers or photographers in search of ideal light conditions. In just 10 to 15 minutes, you can be in and amongst the abundant wildlife that roams here.
For those seeking adventure beyond game drives, guided nature walks along the crater rim and through the nearby forests are available, led by an expert ranger and a Maasai guide team who will share their deep knowledge of the land.

After a thrilling day on safari, return to the comforts of Lemala Osonjoi’s luxurious suites.
With twenty spacious accommodations, including two-bedroom suites ideal for families or groups, each room is designed to blend elegance with comfort.
Picture windows allow the highland light to flood into the suites, offering guests breathtaking views of the surrounding forests. In cooler evenings, cozy up by the wood stove, wrapped in a winter-weight duvet, or indulge in the warmth of hot water bottles.


En suite bathrooms feature double vanities, walk-in showers, and even outdoor bathing options, creating a spa-like experience in the wilderness. The lodge also boasts an indoor heated swimming pool and a dedicated spa suite where guests can unwind with treatments from expert therapists.

Osonjoi’s Best Points:

  • Its proximity to the quiet eastern access road to Ngorongoro means fewer crowds and better game viewing during peak wildlife hours. What’s more, one of the lodge’s most unique offerings is a full day catered safari lunch on the crater floor, a rare privilege in this protected area.
  • From the spacious, beautifully designed suites to the spa and heated pool, Osonjoi offers the perfect blend of wilderness and luxury.
  • Whether it’s the early morning game drives or the guided walks with Maasai guides, guests are guaranteed unforgettable encounters with Africa’s most iconic wildlife.

What Lens to Take on Safari?

Posted on by James

The old adage of “The best camera to have is the one you have with you” will always stand true on safari, and the same can be said for lenses.
Most scenes and/or sightings can be reimagined to make your lens work for you, from an 8mm fish-eye to an 800mm zoom.

Ok that might be stretching it a little, as a proper wide-angle won’t get you that nice close up of a bird from forty metres away, nor will you be able to encompass a whole pride of lions next to your vehicle in one photo with a mega-zoom, but if you do happen to find yourself seemingly limited by your lens choice, simply zoom out (figuratively), and start to imagine what’s in front of you in a new way.

The solution of course is simply to have a selection of lenses with you, and move between them as the situation dictates, but multiple lenses can start getting expensive and heavy, not to mention dust-filled if you are constantly switching them out. Multiple camera bodies take care of this latter problem, but again you start encountering extra weight and expense.

What we want to do here is give a brief run through of some of the most commonly used lenses on safari, what they’re good for, and which parts of Africa you should be sure to pack them for.

WIDE ANGLE

These lenses are essentially wider than 35mm. They can be fixed or zoom lenses. The 16-35mm range is a popular one.
Wide-angle are severely underrated in the safari world. The tendency for most safari-goers is to want to zoom in close. This can be great if you’re after detail, or trying to isolate a single subject, but just because you can zoom, doesn’t mean you should. More often than not, by zooming in too much you are excluding critical elements of the photographic story. Wide angle lenses allow you to capture an entire scene, not just one single element of it.
Landscapes, big herds of elephants, room interiors… these are a few things you might want a wide-angle for. Astrophotography is pretty much impossible without a wide-angle, and they can be very effective in exaggerating the scale of something (see the elephant photo below).

Wider is often better, and since these lenses are quite compact more often than not, they won’t take up too much room in your camera bag.

Best Destinations for Wide-Angle: Namibia, Cape Town

MEDIUM ZOOM

Between 50mm and 300mm is generally your sweet spot if yu want a lens to tick as many boxes as possible. Wide enough to capture a landscape is an animal is far enough away from you, but with enough zoom to really be able to isolate a subject if its proximity allows for it. The 70-200mm f2.8 lens is the mainstay of wildlife photographers around the world, and Canon, Nikon and Sony all make one.

The f2.8 aperture is wide enough to be able to carry on shooting in low light conditions (eg. dawn and dusk), and in areas where the wildlife is habituated to vehicles and can therefore come quite close, any more zoom just feels excessive.

Best Destinations for Medium Zoom: Sabi Sands, Lower Zambezi, Gorilla Trekking

FIXED TELEPHOTO

Starting from 300mm, things start to get interesting. Your zoom is starting to pack a real punch, and fixed zoom lenses generally allow for wider apertures, which ultimately means better low-light performance, higher shutter speeds and fewer missed shots. The 400mm f2.8 in particular is an incredible lens.
The image quality tends to be superb, but since the focal length is fixed, you can sometimes feel a bit constrained. This is when a bit of creativity can be necessary.

With 500mm, 600mm and 800mm you are dealing with seriously bulky lenses, They can take amazing photos – portraits of a lions face from a good distance, crisp shots of tiny birds that make them look larger than life – but the lack of mobility can be a hindrance. Some sort of support in the form of a bean bag or Wimberley arm is needed when shooting from a vehicle, or a tripod if you are on foot.

Best Destinations for Fixed Telephoto: Serengeti, Maasai Mara, any bird-focused photography trip.

There is no right or wrong in your lens selection.
Certain lenses might be the only way to capture specific images, but sightings need not be restricted to those specific images; it’s ultimately up to your imagination how you choose to represent a sighting.

Be sure to get in touch with us through info@iconicafrica.com if you need any sort of photographic advice for your African safari.

Angama Amboseli: Elephant Heaven

Posted on by James

With Mount Kilimanjaro – Africa’s highest peak – serving as its backdrop, Angama Amboseli creates an intimate and laid-back atmosphere in the heart of Kenya’s first community-owned conservancy; Kimana. Set within a forest of fever trees, Angama boasts some of the best guides in the region, as well as exclusive traversing rights on this private reserve – where some of Africa’s last super tuskers roam; elephants with tusks so large they drag along the ground as they walk.
This is truly Africa at its most quintessentially majestic.

With only ten Guest Suites in this private wildlife conservancy, Angama Amboseli is truly a respite from the world, and Amboseli National Park is only a 45-minute drive from the lodge to the gate, and is home to over 400 bird species and an array of wildlife.

Another contemporary take on African design with nods to the giants of this landscape — including concrete mixed with elephant dung for the unique exterior texture — each of the ten Suites is a mix of canvas, concrete and stone accented by woven rattan and grass, all in earthy, neutral colours. Each suite is orientated so that Kilimanjaro can be seen from nearly every corner — from the bed to the shower — while floor-to-ceiling screened doors are all that lies between you and the mountain.

The main Guest Area offers flexible indoor-outdoor dining with a baraza to wind down the days by the fire, telling stories with a drink in hand or marshmallows for roasting. The nearby Studios house a Safari Shop, Games Room, Art Gallery, Weaving Studio and a Photographic Studio, perfect for capturing Amboseli’s iconic scenes.

Kimana Sanctuary is the first community conservancy established in Kenya, and is owned by 844 Maasai family members. Thanks to its perennial water availability (fed by the snows of Kilimanjaro itself), the Sanctuary boasts the greatest habitat diversity and wildlife density in the area, with scores of eland, reedbuck, warthogs in their hundreds, as well with giraffe, zebra and wildebeest. Big cats are also regularly encountered.

Elephants are the real stars here as large breeding herds move in procession through the Sanctuary. There’s also a good chance you’ll see one of the famed Super Tuskers — elephants whose tusks weigh more than 100lbs each. Some of the last remaining Tuskers in Africa love to feed on the lush vegetation around the lodge.

Derived from the Maasai word for ‘salty dust’, Amboseli National Park is just a 45-minute drive from the lodge which guests can enjoy as a half- or full-day excursion with a picnic lunch at a private Angama spot. This is one of the best places in Africa to see huge herds of elephants marching single file across dusty pans or having a bath in the dry lake beds. In the savanna and woodlands, you may spot lion or cheetah, while in the wetlands, hippo, flamingo and an array of other local wildlife can be encountered.

Wake up to the sun illuminating Kili and after an early breakfast, depart for a full-day safari in Amboseli National Park. As you leave, visit the ‘pinch point’ — the smallest segment of a critical wildlife corridor.  Spend the day exploring the Park’s famous marshlands and dry lake bed looking for Super Tuskers. After a picnic lunch at a private Angama site, return to the lodge in time for a visit to the Studios. Dinner is served on the private patio of your Guest Suite as the moon rises slowly over Kili.

Your Butler gently wakes you with coffee before first light to catch your sunrise hot-air balloon flight. Float along with Kili, admiring the views below before touching down for a champagne breakfast. A much-needed siesta and lunch are followed by an afternoon with our conservation partner, Big Life Foundation — visit HQ for control room and camera-trap monitoring or go out with ranger patrols and canine tracking units. Enjoy your final evening sharing stories over a delicious dinner in the Guest Area.

Access to this magnificent lodge is very straightforward; there are daily scheduled flights with Safarilink landing at Kimana Airfield in the Sanctuary, as well as Amboseli National Park, about a 1h drive. Private charters are always welcome at the Sanctuary’s airfield, whether to or from the Mara or Nairobi.

Get in touch with us through info@iconicafrica.com to find out more about this unique safari which combines Africa’s giants; it’s highest mountain and its largest inhabitants, the elephants.

 

 

Wilderness Magashi: Thrilling Rwanda

Posted on by James

Witness the abundance of Akagera National Park from Wilderness Magashi.
Akagera is Central Africa’s largest protected wetland and the last remaining refuge for savannah-adapted species in Rwanda. Home once more to an abundance of apex predators and their prey after highly successful reintroduction efforts, the park is again a place where one can marvel at lion, white and black rhino, buffalo and elephant roaming its hills and savannahs.

Wilderness Magashi provides the quintessential East African safari adventure and the perfect complement to your gorilla trekking experience in Rwanda.

The eight spacious tents of the lodge are perched on the shores of Lake Rwanyakazinga. You can watch elephants submerge themselves in the lake’s still waters from the deck of your room, while you are experiencing a wonderful sense of intimacy as the next tent is far enough away that you hardly know that it is there. All the rooms are linked by a raised boardwalk which runs to the main area, where you will find a luxury lounge, the dining space and bar, a swimming pool and an expansive viewing deck that takes in further sweeping views of the lake. The fire pit provides the perfect setting to enjoy a chilled cocktail after sunset.

The camp is the only exclusive-use area in Akagera, which means guests are the only ones who will be on game drives and wildlife viewing activities in the area. Rhinos, giraffes and lions roam the seemingly endless savannah. The elusive sitatunga skulks in the reedbeds, watching as you try your hand at catch-and-release fishing. Leopards sightings here are very much on the rise, thanks to a sensitive and consistent effort by trackers and guides alike to habituate the spotted cats.

It is the way this camp is integrated into its surroundings that makes it so special. Influences of Rwandan culture are balanced with the wilderness that surrounds. There are no fences, so the wildlife is uninterrupted, making their home a shared space with the camp.

Private. Peaceful. Participatory; these are the overwhelming feelings you get from your stay here. Akagera National Park is a story of survival and regeneration, and now Wilderness Magashi is very much a part of that story too…

You don’t have to journey to another country to add safari to your Gorilla trekking (which is one of Rwanda’s main drawcards). Akagera National Park and Magashi are only a short distance from Kigali, the capital. It’s 100km kilometres by road to the park entrance or a short flight.

Get in touch with us through info@iconicafrica.com to chat about Magashi, Akagera, Gorillas, Rwanda in general, or whatever type of safari you may be interested in…

Night Drives: What to Expect

Posted on by James

A lot goes on after dark.

But sometimes there’s nothing.

The reality of a night drive is that there are so many variables that go into one, it’s almost impossible to prepare guests for what they will be like or what they will probably see. It’s dependant on area, length of drive, type of spotlight, whether it’s a national park or private reserve, the season, the phase of the moon, etc, etc….

Night drives can be epic. And sometimes they’re not.

Ask the right questions of your guide beforehand so your expectations can be managed, but here are a few things to remember:

Night Drives are about the search

Just being out after dark in the African wilderness is a treat. The Milky Way above you (dependent on cloud cover) and the calls of the nightbirds and crickets mean you’re already enjoying a special experience. If you encounter something, so much the better, but it’s a bonus, not something you should necessarily expect.
Some areas tend to be more productive than others in the matter of small creatures, so make sure you are well informed before setting out.

It’s often better to start with an animal

Just driving round hoping to bump into something can be unproductive.
Your field of view is dramatically reduced from the daytime when you have 360 degrees of lighting, to the night when you have the headlights of the vehicle and the spotlight. Granted, these do provide some advantages like enabling you to spot the eye-shine of some nocturnal creatures, but you certainly can’t see as much, and may drive round for a couple of hours and encounter nothing.
In Private reserves where off-roading is allowed, it’s often better to sit with a leopard or lion as darkness begins to settle, and as they get moving into the night, you follow and see what they get up to.
The phrase “A bird in the hand is worth two in the bush” probably wasn’t coined on safari, but it was never more appropriate…

Photography is going to be tricky

On a night drive, it’s usually better to put the camera away.
Unless you have really great gear and know exactly how to adjust your settings to adjust for very low light and the likely single beam of the spotlight, chances are you will be hacking around with your camera, getting frustrated while you try to work out why the shutter speed is so low and you’re getting such blurry images.
Far better to put the camera down and just enjoy…

There may be bugs in summer

The rainy season and its warmth and moisture can create conditions in which an insect or two might come buzzing along. Termites fly our of their mounds to start new colonies and dung beetles fly by on their merry way, navigating by the stars. You might get a bump or even a winged termite down the shirt. Nothing will happen, trust us! A small fright, maybe, but that’s the extent of it. Go out there knowing that there might be a close encounter of the tiny, winged, six-legged variety, and you’ll be fine.

Night drives are a wonderful extension of your safari experience. But just like in the daytime version, there are many things outside of the guide’s control, so go out there with a sense of adventure, a sense of humour, and the simple excitement of what you might encounter, and we guarantee you’ll get the most out of the experience…

3 Rules for Wildlife Photography Composition

Posted on by James

Wildlife photography can be tricky.
Animals are just that – wild – and don’t always do what you expect. Branches get in your way and if the light goes, it goes. No studio dimmer switch is going to change that.

But by simply sticking to a couple of composition principles you can make sure that at least most of your shots from your safari are usable, even if they aren’t award winning.

Here are three to bear in mind.

1. Rule of Thirds

The rule of thirds is an effective way to frame the elements in your scene so that the final image is more visually captivating. Like most other so-called “rules,” it’s not really a rule at all — more of a guideline.

But if you stick to it with wildlife, more often than not it will leave you with a photograph that’s mor pleasing to the eye.

Put very simply, you want your subject either moving or looking from one third of the photo into the remaining two thirds. If it’s looking left, place it on the right looking into the left hand two thirds of the picture. If it’s looking right, place it on the left, looking into the right hand two thirds.

Have a look at this elephant picture:

The elephant closer tot he camera (the subject) has its head (which is the main point of interest) roughly a third of the way into the frame, moving into the further two thirds. You always want an animal moving or looking into space, and not butting up against the edge of the frame. If we divide the image up into thirds using vertical lines, we get the following:

You can see how it’s not an exact science, but by using these approximate measurements, we get an image that tells more of a story.

The same proportions were used in the following image of a wild dog, but this time, both vertical and horizontal thirds were used:

The four points where the horizontal and vertical gridlines intersect are known as power points, and the more you can place the main subjec tof your image on one of these power points, the ro visually appealing it will be.

2. Central Framing With Symmetry

When an animal is looking straight at you, especially in close up/portrait, go for the central placement:

The rule of thirds doesn’t necessarily apply here as the straight-on image creates a connection and intensity.
Remember, these are guidelines, not rules. If we refer back to the wild dog image above, it’s also looking straight at the camera yet it was placed off to one side. This was mainly to compensate for the body being visible out to the right.

Because the lion in the above image has an even balance of mane on both sides, the symmetrical central framing works.

3. Use Foreground to Create Depth

Photography is ultimately about storytelling, and by simply having a foreground element in frame (which doesn’t have to be in focus), one can give far more context to an image.
Take a look at the following two photographs:

Both were taken to deliberately have people in frame in the foreground, which shows us that the animal/s is/are being viewed in a game drive setting.
There is far more story than a simple picture of two elephants or a leopard walking.

In wildlife photography as in many things, rules are there to be broken, but by keeping the above concepts in mind when on your next safari, we’ll be willing to bet that the percentage of your shots that you really like will be significantly higher.

Get in touch with us through info@iconicafrica.com for more photography tips and tricks…

San Camp: Kalahari Skies

Posted on by James

Billowing white tents on the edge of the endless Makgadikgadi Pans. Desert palms cast their shade here, and you are surrounded by a thousand acres of shimmering, nothingness.
San Camp, a quintessentially romantic, seven-bedroom camp on the edge of the Nwetwe Pan in Botswana’s Makgadikgadi, is something straight out of Arabian Nights. The allure lies in the minimalism here, both within the camp itself and in the broader desert horizons.

Meerkats emerge from their desert burrows, if you’re lucky an Aardvark might emerge at sunset, and you’ll see red hartebeest, springbok and gemsbok scurrying between them. But San Camp isn’t just about wildlife-watching – it’s about the atmosphere and the ethereal surroundings. Disappear into a remote world, a million miles from glowing screens and fruit-themed devices, where the 360-degree panoramas are so vast, you can see the curvature of the earth.

The enormous salt pans are like something off the moon. They are the home of a host of unique desert animals which are for the most part completely different to those encountered to the north-west in the Okavango.Combining the two areas into a single itinerary is highly recommended.
Species to tick include the famed black-maned Kalahari lion as well as cheetah, plains game like wildebeest and zebra, elephant and brown hyaena almost exclusive to this region. The bird list here is extensive and highly localised within the habitat, and of course your trip would not be complete without an immersive interaction with one of the habituated troops meerkats that have delighted guests for years.

The safari experience here is truly remarkable. The stark setting is complemented by the minimalist camp design, and the ever-present Kalahari silence creates an ambience of peace.
The main canvas covered central area is open and wonderfully unencumbered by clutter, inviting you into a stylish dining room where delicious food makes sure you are never hungry.
Dark mahogany furniture and Persian carpets complement each other well and the bedouin feel simply adds to the elegance and romanticism…

The name of the game here is adventure.
Walk with the San Bushmen or go horse-riding across the plains. Take quad bikes out onto the salt flats or charter a helicopter down to see the ethereal and ancient Kubu Island, one of the most remarkable places on earth…
Wildlife aside, this is a safari experience like no other.

If you want to find out more about this incredible destination, and how best to include it into an itinerary, get in touch through info@iconicafrica.com, and let’s start a safari conversation…

Lion Sands Tinga: Private Kruger Park

Posted on by James

Lion Sands Tinga is nestled on the banks of the Sabie River,  one of the Kruger Park’s most iconic. The softly burbling water flows under enormous jackalberry and fig trees, and provides some of the most scenic game-viewing habitat imaginable. In winter when water resources are scarce, everything has to drink at the river, so a slow meander along the riparian roads will reveal a myriad of delights.

The lodge consists of nine suites as well as the exclusive two-bedroom Hinkwenu Residence.
Each room, blending vintage style with modern luxury, provides stunning views that make you feel as if the outside reserve is simply an extension of your living quarters, ensuring an intimate connection with Africa’s beauty.

The suites are joined by elevated wooden pathways that wind their way through the lodge, also connecting the spa and main lodge area, where a bar lounge, pool, and boma also feature. Here, you can share a delicious glass of some of South Africa’s finest wines, refelct on the day’s sightings, or simply relax in a quiet moment alone, with only the background ambience of the birds as your company.
The suites all feature their own private plunge pool and deck, providing a personal sanctuary where you can bathe in opulence, spend your time bird watching or check on the hippos in the river below.

The Lion Sands Game Reserve is essentially a combination between their Kruger National Park concession where Tinga is found, and their property in the world-famous Sabi Sands; one of the best places in the world to see leopards. Vehicles are allowed to traverse both sections, ensuring full access to the bast sightings.

Lion Sands Tinga Lodge has tailor-made experiences for children aged 6 to 11, so the lodge ensures that every member of the family has the freedom to explore and have fun.
A dedicated playroom, coordinated by a qualified activity leader, offers a range of engaging activities from sports and crafts to baking sessions with the chef. Family game drives, bush orientation, dung tracking, spoor casting, and nature scavenger hunts are just a few of the adventures that families can enjoy together, making every day a new discovery.

 

Safari experiences are of course the central reason why people visit, and Lion Sands boasts some of the best. Game drives depart the lodge at dawn and then again in mid-afternoon, facilitated by experienced field guides. These drives aim to capture the essence of an African safari as you go in search of the Big Five. Feel how your senses swiftly become attuned to the slightest rustle in the bush. Walking safaris are another great way to explore the landscape; most are conducted after breakfast, as you set out on foot to enjoy a true bush immersion, with your guide and tracker interpreting event eh faintest signs for you.

If it’s more of a relaxation or a spiritual experience that you are after, the our spa provides treatments featuring Africology products, ethically sourced and inspired by traditional African healing practices.
Additionally, for those dreaming of sleeping under the star-laden African sky, Lion Sands offers optional treehouse sleep-outs, which provide an unforgettable night surrounded by the sounds of the wild (activity is at an additional cost).

 

Between 4 January and 19 December 2025 & 2026, Lion Sands is offering incredible specials.

Pay for 3, Stay for 4, as well as a 50% rate for Honeymooners.

If you are after amazing game viewing, superb opulence and some of the most scenic terrain in the whole of the Kruger National Park, Lion Sands Tinga might be just what you’re looking for.

Get in touch through info@iconicafrica.com to find out more…

 

How to Get the Shot in Wildlife Photography

Posted on by James

Wildlife photography is frustrating at the best of times. You might be looking away when an animal suddenly moves, the weather might not be playing ball, or a fly might be buzzing around your head and annoying you as your eye eches from looking through the view finder, waiting for that opportune moment to push the shutter button.
But the frustration is what results in the reward. When you nail the shot, you get a sense of elation akin to completing your first marathon or your favourite sports team winning!

Anticipation is a crucial element in wildlife photography, involving predicting and preparing for an animal’s next move or behaviour.. This skill requires understanding animal behaviour patterns, observing subtle cues, and setting your camera to be ready for those fleeting moments. By anticipating what an animal might do, you can be in the right place at the right time to capture that shot you dreamed of!

We understand that for first-time safari-goers, a familiarity with the animals might be lacking; this is why it is so important to bring your guide into the loop. Telling him or her about exactly what type of shot you have envisioned will go a long way towards helping them anticipate your needs, as well as the animals’ behaviour.

 

The more time you spend observing animals in their natural habitat, the better you’ll become at anticipating what they’ll do next.

We thought we’d run through a couple of images and describe what happened, and how we positioned – or at least got ready for – the shot.

Lion Crossing Water, Duba Plains, Botswana.

Duba Plains is right up north in the Okavango Delta, and as such has quite a bit of water year-round. The lions there are adapted to criss-crossing the various channels, particularly in the months of the annual inundation. They know the shallowest crossing points well, and fortunately these often coincide with the best vehicle crossing spots.
In this sighting, another lioness (the one in the photo’s sister), had killed a large warthog the day before, and the photographed individual was responding to her roars, as they were looking to reunite.
Knowing the direction the lioness would (most likely) take, we crossed a small channel and waited for her on the opposite side of the shallow section. Zooming out slightly to allow for her reflection, our hearts were in our mouths as she approached.
Fortunately, she crossed exactly where we had anticipated, and the above shot was the result.
Falling Impala, Londolozi Game Reserve, South Africa
A female leopard had killed and hoisted a young impala, and led her two cubs back to it early one morning. A large part of a young leopard’s learning is in pretending to kill an animal its mother has already brought down, and when one of the cubs began roughly moving the impala carcass in the fork of the tree, we anticipated her dropping it and it falling to the ground>
Justy like in the lion photo, we zoomed out slightly to allow some space for the impala to fall into if it happened, and as the kill began to slip,, we were ready with our fingers on shutter buttons and high frame rates set.
The second cub below was unprepared for the kill almost dropping straight onto it!

Leopard Cubs Playing, Londolozi Game Reserve, South Africa

This was actually from the same sighting as the falling impala above, but from when the mother was leading her cubs to the kill.
Having seen how boisterous the young leopards were being, we had our ISOs cranked up high on our cameras to make sure we were getting high enough shutter speeds in the low light conditions (the sun was still low and the leopards were moving through shade).
Mother leopards will often prefer to lead their cubs through thicker vegetation so that they remain concealed; any gaps or roads to be crossed become like gold to a photographer in a sighting like that, as you have a brief few moments without vegetation in the way.
In this instance, with our camera settings already dialled in, we anticipated the spot where the mother leopard would reach the road with her cubs and waited there.
We were lucky as the continual games of pounce-and-chase from the young leoaprds reached a creescendo just as they got to the road, and the above photo was the result.

Hyena Dragging Impala, Londolozi Game Reserve, South Africa

During the rut, impala males will lock horns, sometimes fighting to the death, and their battles are often to the complete exclusion of any kind of self-preservation. Lowered awareness and a complete focus on the fight at hand makes them vulnerable, and this female hyena had brought down this rutting male impala, devouring half of it with a clan-mate.

After eating her fill, she picked up the remains and started to drag them down the road. We know there was a den not too far away, and we presumed she was going to take the meat back to her growing cubs.
It was still early morning and the light was not good, so we decided to roll the dice and capture a shot that emphasised the movement of the hyena. With low ISOs and slow shutter speeds ready, we parked next to the road ahead of where the hyena was dragging at pace, and as she passed us we panned with her, shooting continuously, and the above shot is the result. The slight blur in the background implies a sense of urgency in the hyena’s movement and tells a far better story than a simple freeze-frame.

If wildlife hobby is your passion or something you’d like to get into, feel free to get hold of us through info@iconicafrica.com with any questions you might have.

If you have any requests for subjects of future photographic posts, let us know!